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	<title>Reinhard Kargl</title>
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	<link>http://reinhardkargl.com/iBlog</link>
	<description>Miscellaneous Thoughts, Musings and Ideas</description>
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		<title>Color Footage of London, 1927</title>
		<link>http://reinhardkargl.com/iBlog/2013/05/12/color-footage-of-london-1927/</link>
		<comments>http://reinhardkargl.com/iBlog/2013/05/12/color-footage-of-london-1927/#comments</comments>
		<pubDate>Sun, 12 May 2013 20:36:55 +0000</pubDate>
		<dc:creator>Reinhard Kargl</dc:creator>
				<category><![CDATA[America]]></category>
		<category><![CDATA[Movies]]></category>

		<guid isPermaLink="false">http://reinhardkargl.com/iBlog/?p=2146</guid>
		<description><![CDATA[This is archive footage based on images captured by Claude Frisse-Greene, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father William Frisse-Greene, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><iframe src="http://player.vimeo.com/video/7638752?title=0&amp;byline=0&amp;portrait=0&amp;color=D7982F" height="300" width="400" allowfullscreen="" frameborder="0"></iframe></p>
<p style="text-align: left;">This is archive footage based on images captured by <a href="http://www.imdb.com/name/nm0295639/" target="_blank">Claude Frisse-Greene</a>, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father <a href="http://www.imdb.com/name/nm1961777/" target="_blank">William Frisse-Greene</a>, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led him to be known as one of the fathers of cinematography.</p>
<p>One of William’s <a href="http://www.screenonline.org.uk/people/id/508948/index.html" target="_blank">inventions</a> was an additive color film process known as “Biocolour”, a rather cumbersome early color process. It works by exposing every other frame of standard black-and-white film through a different-colored filter, and then staining the resulting monochrome prints either red or green. In a motion picture projection, the combined frames create an illusion of real color.</p>
<p>Using computer enhancement, the <a href="http://www.screenonline.org.uk/index.html" target="_blank">British Film Institute</a> reduced the flickering seen in the original footage.
<div id="apf_post_footer">
<h4>Related Articles:</h4>
<ul>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=2141">Roger Ebert Dead</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1924">Chasing Ice</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1628">The Artist</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1582">Silent Movies</a></li>
</ul>
</div>
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		<item>
		<title>Roger Ebert Dead</title>
		<link>http://reinhardkargl.com/iBlog/2013/04/04/roger-ebert-dead/</link>
		<comments>http://reinhardkargl.com/iBlog/2013/04/04/roger-ebert-dead/#comments</comments>
		<pubDate>Thu, 04 Apr 2013 23:05:27 +0000</pubDate>
		<dc:creator>Reinhard Kargl</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Movies]]></category>

		<guid isPermaLink="false">http://reinhardkargl.com/iBlog/?p=2141</guid>
		<description><![CDATA[Roger Ebert, my favorite film critic passed away from complications of cancer today. Given today&#8217;s fragmented media market, he will never be outdone. There&#8217;s much that could be said about his career and influence, but I will gladly leave this to others who are more knowledgeable. But I wanted to post this letter Ebert sent [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><iframe src="http://player.vimeo.com/video/7638752?title=0&amp;byline=0&amp;portrait=0&amp;color=D7982F" height="300" width="400" allowfullscreen="" frameborder="0"></iframe></p>
<p style="text-align: left;">This is archive footage based on images captured by <a href="http://www.imdb.com/name/nm0295639/" target="_blank">Claude Frisse-Greene</a>, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father <a href="http://www.imdb.com/name/nm1961777/" target="_blank">William Frisse-Greene</a>, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led him to be known as one of the fathers of cinematography.</p>
<p>One of William’s <a href="http://www.screenonline.org.uk/people/id/508948/index.html" target="_blank">inventions</a> was an additive color film process known as “Biocolour”, a rather cumbersome early color process. It works by exposing every other frame of standard black-and-white film through a different-colored filter, and then staining the resulting monochrome prints either red or green. In a motion picture projection, the combined frames create an illusion of real color.</p>
<p>Using computer enhancement, the <a href="http://www.screenonline.org.uk/index.html" target="_blank">British Film Institute</a> reduced the flickering seen in the original footage.
<div id="apf_post_footer">
<h4>Related Articles:</h4>
<ul>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=2141">Roger Ebert Dead</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1924">Chasing Ice</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1628">The Artist</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1582">Silent Movies</a></li>
</ul>
</div>
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		<title>Flying Over the Earth at Night</title>
		<link>http://reinhardkargl.com/iBlog/2013/03/31/flying-over-the-earth-at-night/</link>
		<comments>http://reinhardkargl.com/iBlog/2013/03/31/flying-over-the-earth-at-night/#comments</comments>
		<pubDate>Sun, 31 Mar 2013 22:19:42 +0000</pubDate>
		<dc:creator>Reinhard Kargl</dc:creator>
				<category><![CDATA[Astronomy]]></category>
		<category><![CDATA[English]]></category>

		<guid isPermaLink="false">http://reinhardkargl.com/iBlog/?p=2136</guid>
		<description><![CDATA[This video is so amazing that I had to repost it as it came. This was originally posted on &#8220;Astronomy Picture of the Day&#8220;, a daily blog site highly recommended for everyone with an interest in astronomy. Video Credit: Gateway to Astronaut Photography, NASA ; Compilation: David Peterson (YouTube); Music: Freedom Fighters (Two Steps from Hell) Explanation: Many wonders are visible when flying [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><iframe src="http://player.vimeo.com/video/7638752?title=0&amp;byline=0&amp;portrait=0&amp;color=D7982F" height="300" width="400" allowfullscreen="" frameborder="0"></iframe></p>
<p style="text-align: left;">This is archive footage based on images captured by <a href="http://www.imdb.com/name/nm0295639/" target="_blank">Claude Frisse-Greene</a>, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father <a href="http://www.imdb.com/name/nm1961777/" target="_blank">William Frisse-Greene</a>, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led him to be known as one of the fathers of cinematography.</p>
<p>One of William’s <a href="http://www.screenonline.org.uk/people/id/508948/index.html" target="_blank">inventions</a> was an additive color film process known as “Biocolour”, a rather cumbersome early color process. It works by exposing every other frame of standard black-and-white film through a different-colored filter, and then staining the resulting monochrome prints either red or green. In a motion picture projection, the combined frames create an illusion of real color.</p>
<p>Using computer enhancement, the <a href="http://www.screenonline.org.uk/index.html" target="_blank">British Film Institute</a> reduced the flickering seen in the original footage.
<div id="apf_post_footer">
<h4>Related Articles:</h4>
<ul>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=2141">Roger Ebert Dead</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1924">Chasing Ice</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1628">The Artist</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1582">Silent Movies</a></li>
</ul>
</div>
<p><a title="Reinhard Kargl on Facebook" href="http://reinhardkargl.com/facebook.html" target="_blank"><img title="Reinhard Kargl on Facebook" src="http://reinhardkargl.com/iBlog/wp-content/uploads/2010/11/findmeonfacebook.jpg" alt="" width="160" height="47" /></a></p>
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		<title>Easter</title>
		<link>http://reinhardkargl.com/iBlog/2013/03/29/easter/</link>
		<comments>http://reinhardkargl.com/iBlog/2013/03/29/easter/#comments</comments>
		<pubDate>Fri, 29 Mar 2013 19:59:46 +0000</pubDate>
		<dc:creator>Reinhard Kargl</dc:creator>
				<category><![CDATA[Astronomy]]></category>
		<category><![CDATA[English]]></category>
		<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://reinhardkargl.com/iBlog/?p=2130</guid>
		<description><![CDATA[by Tim Tompson* Easter Sunday will soon be upon us. In the year 325 A.D. the First Council of Nicaea defined the date for Easter as the first Sunday following the first Full moon after the Vernal equinox. But astronomically selected dates can move around; e.g., the vernal equinox can happen on 20 March as well [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><iframe src="http://player.vimeo.com/video/7638752?title=0&amp;byline=0&amp;portrait=0&amp;color=D7982F" height="300" width="400" allowfullscreen="" frameborder="0"></iframe></p>
<p style="text-align: left;">This is archive footage based on images captured by <a href="http://www.imdb.com/name/nm0295639/" target="_blank">Claude Frisse-Greene</a>, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father <a href="http://www.imdb.com/name/nm1961777/" target="_blank">William Frisse-Greene</a>, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led him to be known as one of the fathers of cinematography.</p>
<p>One of William’s <a href="http://www.screenonline.org.uk/people/id/508948/index.html" target="_blank">inventions</a> was an additive color film process known as “Biocolour”, a rather cumbersome early color process. It works by exposing every other frame of standard black-and-white film through a different-colored filter, and then staining the resulting monochrome prints either red or green. In a motion picture projection, the combined frames create an illusion of real color.</p>
<p>Using computer enhancement, the <a href="http://www.screenonline.org.uk/index.html" target="_blank">British Film Institute</a> reduced the flickering seen in the original footage.
<div id="apf_post_footer">
<h4>Related Articles:</h4>
<ul>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=2141">Roger Ebert Dead</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1924">Chasing Ice</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1628">The Artist</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1582">Silent Movies</a></li>
</ul>
</div>
<p><a title="Reinhard Kargl on Facebook" href="http://reinhardkargl.com/facebook.html" target="_blank"><img title="Reinhard Kargl on Facebook" src="http://reinhardkargl.com/iBlog/wp-content/uploads/2010/11/findmeonfacebook.jpg" alt="" width="160" height="47" /></a></p>
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		<title>Book: Those Angry Days</title>
		<link>http://reinhardkargl.com/iBlog/2013/03/26/those-angry-days/</link>
		<comments>http://reinhardkargl.com/iBlog/2013/03/26/those-angry-days/#comments</comments>
		<pubDate>Wed, 27 Mar 2013 03:27:12 +0000</pubDate>
		<dc:creator>Reinhard Kargl</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[My Reading List]]></category>

		<guid isPermaLink="false">http://reinhardkargl.com/iBlog/?p=2119</guid>
		<description><![CDATA[Here&#8217;s a most fascinating new book by journalist Lynne Olson. As I have outlined in my previous post about Charles Lindbergh, America&#8217;s entry into World War II was by no means a given, nor was it popular among average Americans before the Pearl Harbor attack. Olson&#8217;s book goes into great detail describing the political division [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><iframe src="http://player.vimeo.com/video/7638752?title=0&amp;byline=0&amp;portrait=0&amp;color=D7982F" height="300" width="400" allowfullscreen="" frameborder="0"></iframe></p>
<p style="text-align: left;">This is archive footage based on images captured by <a href="http://www.imdb.com/name/nm0295639/" target="_blank">Claude Frisse-Greene</a>, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father <a href="http://www.imdb.com/name/nm1961777/" target="_blank">William Frisse-Greene</a>, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led him to be known as one of the fathers of cinematography.</p>
<p>One of William’s <a href="http://www.screenonline.org.uk/people/id/508948/index.html" target="_blank">inventions</a> was an additive color film process known as “Biocolour”, a rather cumbersome early color process. It works by exposing every other frame of standard black-and-white film through a different-colored filter, and then staining the resulting monochrome prints either red or green. In a motion picture projection, the combined frames create an illusion of real color.</p>
<p>Using computer enhancement, the <a href="http://www.screenonline.org.uk/index.html" target="_blank">British Film Institute</a> reduced the flickering seen in the original footage.
<div id="apf_post_footer">
<h4>Related Articles:</h4>
<ul>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=2141">Roger Ebert Dead</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1924">Chasing Ice</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1628">The Artist</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1582">Silent Movies</a></li>
</ul>
</div>
<p><a title="Reinhard Kargl on Facebook" href="http://reinhardkargl.com/facebook.html" target="_blank"><img title="Reinhard Kargl on Facebook" src="http://reinhardkargl.com/iBlog/wp-content/uploads/2010/11/findmeonfacebook.jpg" alt="" width="160" height="47" /></a></p>
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		<item>
		<title>Lowell Observatory: Fundraising To Save Clark Telescope</title>
		<link>http://reinhardkargl.com/iBlog/2013/03/20/lowell-observatory-fundraising-to-save-clark-telescope/</link>
		<comments>http://reinhardkargl.com/iBlog/2013/03/20/lowell-observatory-fundraising-to-save-clark-telescope/#comments</comments>
		<pubDate>Wed, 20 Mar 2013 20:01:58 +0000</pubDate>
		<dc:creator>Reinhard Kargl</dc:creator>
				<category><![CDATA[Astronomy]]></category>
		<category><![CDATA[English]]></category>

		<guid isPermaLink="false">http://reinhardkargl.com/iBlog/?p=2115</guid>
		<description><![CDATA[Percival Lowell was convinced that there had to be life on Mars, and he spent much of his life trying to prove it. (I often wonder how excited he would be about our Mars rovers).Of course Lowell had no such help. In 1895, the astronomer commissioned a telescope he thought suitable for the visual examination [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><iframe src="http://player.vimeo.com/video/7638752?title=0&amp;byline=0&amp;portrait=0&amp;color=D7982F" height="300" width="400" allowfullscreen="" frameborder="0"></iframe></p>
<p style="text-align: left;">This is archive footage based on images captured by <a href="http://www.imdb.com/name/nm0295639/" target="_blank">Claude Frisse-Greene</a>, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father <a href="http://www.imdb.com/name/nm1961777/" target="_blank">William Frisse-Greene</a>, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led him to be known as one of the fathers of cinematography.</p>
<p>One of William’s <a href="http://www.screenonline.org.uk/people/id/508948/index.html" target="_blank">inventions</a> was an additive color film process known as “Biocolour”, a rather cumbersome early color process. It works by exposing every other frame of standard black-and-white film through a different-colored filter, and then staining the resulting monochrome prints either red or green. In a motion picture projection, the combined frames create an illusion of real color.</p>
<p>Using computer enhancement, the <a href="http://www.screenonline.org.uk/index.html" target="_blank">British Film Institute</a> reduced the flickering seen in the original footage.
<div id="apf_post_footer">
<h4>Related Articles:</h4>
<ul>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=2141">Roger Ebert Dead</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1924">Chasing Ice</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1628">The Artist</a></li>
<li class="apf_footer"><a href="http://reinhardkargl.com/iBlog/?p=1582">Silent Movies</a></li>
</ul>
</div>
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		<title>Ground, Air, And Water</title>
		<link>http://reinhardkargl.com/iBlog/2013/03/15/ground-air-water/</link>
		<comments>http://reinhardkargl.com/iBlog/2013/03/15/ground-air-water/#comments</comments>
		<pubDate>Fri, 15 Mar 2013 17:12:12 +0000</pubDate>
		<dc:creator>Reinhard Kargl</dc:creator>
				<category><![CDATA[Automotive]]></category>

		<guid isPermaLink="false">http://reinhardkargl.com/iBlog/?p=2078</guid>
		<description><![CDATA[(click to enlarge) This 1936 advertising motif for Mercedes-Benz shows a 540 K Roadster model beneath the Zeppelin LZ129 Hindenburg. The giant airship was as long as the ocean liner Titanic and powered by four  1,050 hp Daimler-Benz diesel engines. The Hindenburg and its sister ship Graf Zeppelin II (LZ130) were able to cross the Atlantic in two days, [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><iframe src="http://player.vimeo.com/video/7638752?title=0&amp;byline=0&amp;portrait=0&amp;color=D7982F" height="300" width="400" allowfullscreen="" frameborder="0"></iframe></p>
<p style="text-align: left;">This is archive footage based on images captured by <a href="http://www.imdb.com/name/nm0295639/" target="_blank">Claude Frisse-Greene</a>, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father <a href="http://www.imdb.com/name/nm1961777/" target="_blank">William Frisse-Greene</a>, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led him to be known as one of the fathers of cinematography.</p>
<p>One of William’s <a href="http://www.screenonline.org.uk/people/id/508948/index.html" target="_blank">inventions</a> was an additive color film process known as “Biocolour”, a rather cumbersome early color process. It works by exposing every other frame of standard black-and-white film through a different-colored filter, and then staining the resulting monochrome prints either red or green. In a motion picture projection, the combined frames create an illusion of real color.</p>
<p>Using computer enhancement, the <a href="http://www.screenonline.org.uk/index.html" target="_blank">British Film Institute</a> reduced the flickering seen in the original footage.
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		<title>BMW Motorcycles: 90 Years in 90 Seconds</title>
		<link>http://reinhardkargl.com/iBlog/2013/03/08/90-years-90-seconds/</link>
		<comments>http://reinhardkargl.com/iBlog/2013/03/08/90-years-90-seconds/#comments</comments>
		<pubDate>Fri, 08 Mar 2013 17:52:43 +0000</pubDate>
		<dc:creator>Reinhard Kargl</dc:creator>
				<category><![CDATA[Automotive]]></category>

		<guid isPermaLink="false">http://reinhardkargl.com/iBlog/?p=2074</guid>
		<description><![CDATA[Related Articles: Ground, Air, And Water BMW Motorcycles: 90 Years in 90 Seconds Feast Your Eyes: The Mercedes-Benz 540 K]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><iframe src="http://player.vimeo.com/video/7638752?title=0&amp;byline=0&amp;portrait=0&amp;color=D7982F" height="300" width="400" allowfullscreen="" frameborder="0"></iframe></p>
<p style="text-align: left;">This is archive footage based on images captured by <a href="http://www.imdb.com/name/nm0295639/" target="_blank">Claude Frisse-Greene</a>, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father <a href="http://www.imdb.com/name/nm1961777/" target="_blank">William Frisse-Greene</a>, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led him to be known as one of the fathers of cinematography.</p>
<p>One of William’s <a href="http://www.screenonline.org.uk/people/id/508948/index.html" target="_blank">inventions</a> was an additive color film process known as “Biocolour”, a rather cumbersome early color process. It works by exposing every other frame of standard black-and-white film through a different-colored filter, and then staining the resulting monochrome prints either red or green. In a motion picture projection, the combined frames create an illusion of real color.</p>
<p>Using computer enhancement, the <a href="http://www.screenonline.org.uk/index.html" target="_blank">British Film Institute</a> reduced the flickering seen in the original footage.
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		<title>Feast Your Eyes: The Mercedes-Benz 540 K</title>
		<link>http://reinhardkargl.com/iBlog/2013/02/26/feast-your-eyes-the-mercedes-benz-540-k/</link>
		<comments>http://reinhardkargl.com/iBlog/2013/02/26/feast-your-eyes-the-mercedes-benz-540-k/#comments</comments>
		<pubDate>Tue, 26 Feb 2013 19:30:17 +0000</pubDate>
		<dc:creator>Reinhard Kargl</dc:creator>
				<category><![CDATA[Automotive]]></category>
		<category><![CDATA[English]]></category>

		<guid isPermaLink="false">http://reinhardkargl.com/iBlog/?p=2100</guid>
		<description><![CDATA[The glorious Mercedes-Benz 540 K (Type W24), made from 1935 to 1940. Designer: Friedrich Geiger. A total of 419 cars were made at the Mercedes Untertürkheim plant in Sindelfingen (near Stuttgart), which was destroyed during WW-II bombing raids. Shown below are the Autobahn Courier of 1938 (top) and the Cabriolet model. (Click to enlarge.) Related [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><iframe src="http://player.vimeo.com/video/7638752?title=0&amp;byline=0&amp;portrait=0&amp;color=D7982F" height="300" width="400" allowfullscreen="" frameborder="0"></iframe></p>
<p style="text-align: left;">This is archive footage based on images captured by <a href="http://www.imdb.com/name/nm0295639/" target="_blank">Claude Frisse-Greene</a>, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father <a href="http://www.imdb.com/name/nm1961777/" target="_blank">William Frisse-Greene</a>, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led him to be known as one of the fathers of cinematography.</p>
<p>One of William’s <a href="http://www.screenonline.org.uk/people/id/508948/index.html" target="_blank">inventions</a> was an additive color film process known as “Biocolour”, a rather cumbersome early color process. It works by exposing every other frame of standard black-and-white film through a different-colored filter, and then staining the resulting monochrome prints either red or green. In a motion picture projection, the combined frames create an illusion of real color.</p>
<p>Using computer enhancement, the <a href="http://www.screenonline.org.uk/index.html" target="_blank">British Film Institute</a> reduced the flickering seen in the original footage.
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		<title>Keiko Fukuda, 1913 &#8211; 2013</title>
		<link>http://reinhardkargl.com/iBlog/2013/02/18/keiko-fukuda/</link>
		<comments>http://reinhardkargl.com/iBlog/2013/02/18/keiko-fukuda/#comments</comments>
		<pubDate>Mon, 18 Feb 2013 23:50:59 +0000</pubDate>
		<dc:creator>Reinhard Kargl</dc:creator>
				<category><![CDATA[Budo]]></category>
		<category><![CDATA[English]]></category>
		<category><![CDATA[Tributes]]></category>

		<guid isPermaLink="false">http://reinhardkargl.com/iBlog/?p=2059</guid>
		<description><![CDATA[&#8220;Tsuyoko, Yasashiku, Utsukushiku&#8221; (Be gentle, kind, and beautiful, yet firm and strong, in body, mind and spirit). &#8211; Keiko Fukuda, Judo Sensei. Taught classes until the age of 99. http://en.wikipedia.org/wiki/Keiko_Fukuda &#160; &#160; Related Articles: Keiko Fukuda, 1913 &#8211; 2013]]></description>
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<p style="text-align: left;">This is archive footage based on images captured by <a href="http://www.imdb.com/name/nm0295639/" target="_blank">Claude Frisse-Greene</a>, an early British pioneer of film. Nearly 90 years ago, he created a series of travelogues using a color process developed by his father <a href="http://www.imdb.com/name/nm1961777/" target="_blank">William Frisse-Greene</a>, a British portrait photographer and a well known inventor. His experiments in the field of motion pictures led him to be known as one of the fathers of cinematography.</p>
<p>One of William’s <a href="http://www.screenonline.org.uk/people/id/508948/index.html" target="_blank">inventions</a> was an additive color film process known as “Biocolour”, a rather cumbersome early color process. It works by exposing every other frame of standard black-and-white film through a different-colored filter, and then staining the resulting monochrome prints either red or green. In a motion picture projection, the combined frames create an illusion of real color.</p>
<p>Using computer enhancement, the <a href="http://www.screenonline.org.uk/index.html" target="_blank">British Film Institute</a> reduced the flickering seen in the original footage.
<div id="apf_post_footer">
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